Digital fine art prints can be produced in smaller numbers than offset printing and require less time and money. It’s a great way for artists to produce their own prints without relying on an outside print company. Fine art prints can be created ‘on-demand’ and sold within a short period of time to collectors. We’ve outlined the fine art printing process below and we’ve included some guidelines to ensure success with your prints.

Convert the Artwork

Creating a fine art print requires the original artwork to be converted to a digital image file. A high-quality scanner can be used to convert negatives, slides or even hardcopy photos. Scanners with these capabilities can be purchased for less than $200 at most office supply or electronic stores. Make sure you scan the artwork at a high resolution of 300ppi to create a clear, high-quality image.

Larger works of art may be digitized using a couple of different methods. Artwork can be photographed with a digital SLR camera mounted on a tripod under consistent, full spectrum light. A large format scanner can also be used instead of a camera to create a more accurate image file for print. The digitizing method used will be determined by the type of original artwork and the file required for the printer.

Correct Image Color

Artwork photographed or scanned should be color corrected to ensure accurate reproduction. Avoid basing the print colors on the inaccurate image colors viewed on your computer screen. You’ll need to invest in a monitor calibration device and software to correct the colors on the screen. Then you can use Photoshop to soft proof the image and adjust the colors before sending it to the printer.

Choose Media

It’s important to choose a media with archival properties when printing fine art. Archival media will have a longer lifespan and reproduce color more accurately than standard media. The media will usually indicate if it is archival quality on the package or in its sales literature. You will want to look for terms such as archival, acid-free, cotton or rag base.

Print the Image

The type of printer and ink used for the fine art print are the final choices to be made in the process. Avoid using dye-based inks found in lower-cost inkjet printers and choose pigment-based inks instead. The lifespan of pigment-based inks can last anywhere from 100 to 200 years without significant fading. Select a large format printer that contains around eight to twelve different color ink cartridges. It will provide a more sophisticated color range on the final print.

Fine art printing can be a rewarding process that elevates your artwork to the highest level. A high-quality image reproduced with a proper color setup, media and ink will make all the difference in the final output. Follow the guide above and enjoy limitless artistic potential reproducing your artwork.

One of the most overlooked parts of fine art printing is proper handling of the print media. Fine art media is damaged or compromised frequently during the production process. Proper handling protects the integrity of the media and ensures success from start to finish. Here are some tips to improve print quality by handling fine art media properly.

Avoid Contamination

Elements in the print environment, such as dust and debris, can affect the media when it is stored uncovered for long periods of time. Dusty AC vents, fan blades or ceilings, and dirty floors only make the problem worse. It’s best practice to keep media inside the protective plastic sleeve and stored back inside the box until your ready to print on it.

It only takes one smudge on a print and you must throw it away. It’s easy for oil and dirt to transfer from your hands onto the fine art media. Avoid using your bare hands to handle a print. Wear white cotton gloves to handle the print and remove them if you need to do anything else. You could contaminate the gloves if you keep them on while touching other things in the print environment.

Avoid Damage

Damage can occur to the media when it is mishandled during printer loading or carrying the final print. Thinner media types and larger prints are more susceptible to this issue. Improper handling can crease or leave small dents on the surface and result in a reprint. Take special care when loading or carrying fine art media by holding it along the edge and avoiding anything that could damage the surface.

Fine art paper, canvas and other fine are media are more susceptible to abrasions and scuffing than standard media. This is attributed to the delicate coating on the media and the fragile nature of aqueous ink. A high-quality protective coating like a liquid laminate will protect the print and prevent scuffs or abrasions.

Control Climate

Fine art media exposed to changes in temperature and humidity may curl. The amount of curl that occurs will vary depending on the print environment and the type of media. Curl can happen relatively fast and may cause expensive head-strikes if left unattended. It’s best practice to store fine art media in the print environment around 68ºF at 50-60% relative humidity to prevent media curl.

Handling fine art media properly results in less damaged and wasted material. It helps improve print quality and keep your costs under control. The examples provided here may seem small, but they add up and affect print quality and profit.

Dietzgen’s Print Production Manager, Jason Amato, was quoted in a recent article from Digital Output, about the opportunity of accessibility to digital textile printing.

With UV and latex, PSPs can print directly to the fabric—saving time and money, explains Jason Amato, print production manager, Dietzgen Corporation. UV ink dries quickly, requires low energy to cure, and produces precise images. “Virtually any material is printable with UV technology. The inks are lightfast and as a bonus, they are UV resistant,” he adds.

To read this full article please click here.

 

Magic products are now being distributed from 8 company-owned warehouses within the United States allowing for quick and effective service. Distribution helps us bring Magic to you with efficiency and expediency. Our business is making sure you are growing your company with the right media.

TAMPA | FLORIDA
ATLANTA | GEORGIA
CHARLESTON | ILLINOIS
CORONA | CALIFORNIA
HOUSTON | TEXAS
WEST HAVEN | CONNECTICUT
JESSUP | MARYLAND
TROY | MICHIGAN

Keep on the lookout for more exciting information as we continue to grow.

 

 

Register now for your free 2017 SGIA Expo pass, courtesy of Magic by Dietzgen, and be sure to visit us in Booth 2211.

The 2017 SGIA Expo is where you’ll find connections and innovations that take you and your business to the next level. With more than 500 exhibitors and thousands of attendees, you’ll experience your industry up close as you explore new technologies, innovative techniques and comprehensive education.

Look out for us at SGIA 2018!

TAMPA, FL, USA, 05/26/2017 – MAGIC has upgraded TB9, the new and improved TB9 will be called TB2. While there are not any significant differences between TB9 and TB2, TB2 is slightly thicker, whiter and more opaque. TB9 profiles and printer settings can be used for TB2. TB2 is an 11 mil, indoor/outdoor Tyvek® banner featuring a subtle textured, bright white surface and matte finish.

TB2 MAGIC Product DataSheet

TAMPA, FL, USA, 05/04/2017 – Due to a loss of base supply, Magic DMVB14 and DMVB15 scrim banner products are being discontinued. As a direct replacement, we are announcing two new scrim banners, Magic DMVB2 and Magic DMVB2BLOCK. We understand that these changes may be disappointing since these products have been a part of the Magic portfolio for so long. Dietzgen is committed to delivering the right product for today’s market requirements and providing the necessary support to make this transition as smooth as possible. Both new scrim banners use the same coating technology as the original Magic DMVB14 and Magic DMVB15. This will allow users to keep the same profile and printer settings with these new products.

NEWS RELEASE

 

 

FOR IMMEDIATE RELEASE

 

Tampa, FL, September 12, 2016 – Dietzgen Corporation announced today that it has purchased the Magic® digital imaging business from Coveris™.  The purchase includes Magic® brand families of Museo®, Magiclee®, and Jet Set.

The acquisition will bring the strengths of Dietzgen Corporation, specifically converting and distribution, to Magic, one of the most recognized brand families in the digital imaging market.

With a series of seven (7) acquisitions over the past 17 years, Darren Letang, owner of Dietzgen Corporation, has created a nationwide footprint of converting and distribution for the North American print markets.  After recognizing the need for local converting and distribution of paper for the reprographics Industry in 1990, Letang spent the past 25 years building a National footprint with dedicated facilities in Tampa FL, West Haven CT, Houston TX, Charleston IL, Corona CA, and Atlanta, GA.

The Investments Letang has made in infrastructure, including facilities, equipment, systems, and staff, have been extensive.  “We are now ready to take our infrastructure and breathe new life into the Magic brand”, says Letang.  “We are going to bring back the Magic!”

“We expect a very smooth transition”, says Ed McCarron, Vice President Digital Imaging for Coveris™.   “Dietzgen has been a valued partner for Magic, converting and distributing Magic brand products for the past four years. The Magic Team is excited about the leadership, distribution, and vision the Dietzgen organization will bring to the Magic brand.”

As part of the acquisition, Dietzgen has signed a supply agreement with Coveris™.  This ensures the same quality coatings and products that have been the foundation of the Magic brand for 25 years, will continue well into the future.

 

About Dietzgen

Dietzgen Corporation provides converting and distribution services for digital print media including papers, films, and textiles to the US market.  Founded in 1895, and acquired by Precision Paper Company in 2012, today’s Dietzgen is a privately held corporation with six (6) dedicated facilities and over forty (40) converting assets, completing a nation-wide manufacturing and distribution network allowing quick and efficient service to the North American print market.

 

About CoverisTM

CoverisTM is a global leader in the development, manufacture, and distribution of precision coated papers, films and specialty substrates for imaging, electronics, medical, optical and security technologies. Our award-winning Magic® brand of digital imaging media and inks, Museo® brand of digital fine art and photography media, and Jet Set brand of products for the CAD market deliver innovative, high-quality wide format media solutions to the graphics, proofing, engineering, photographic and fine art reproduction industries.

 

 

About Magic®

Introduced in 1993, the highly acclaimed Magic® brand portfolio media addresses the evolving needs of digital printers with grand and wide format inkjet paper and film featuring distinctive coatings compatible with the most demanding imagery printed using water-based dye and pigment or solvent inks. This technical expertise ensures that the creative vision of our customers is realized every time.  The award-winning Magic® brand media consists of an array of products offering a variety of options for wide and grand format printing, including sign and banner supplies, photorealistic papers, display films, pressure-sensitive media, textiles, coated matte papers and digital wallcovering.

 

About Museo® Fine Art Media

Ideal for professional, semi-professional, and pro-sumer photographers and artists who produce digital originals or reproductions using inkjet technology, Museo® brand products provide world-class image quality manufactured to archival standards (Library of Congress, ISO) with all papers being 100% cotton and internally buffered.

 

About Jet Set for the CAD Market

Jet Set brand has been the most popular product in the CAD market for many years and continues to be the product of choice for a large number of users. Offering a range of high quality, consistent products for every CAD application, Jet Set brand provides the very best performance for high-quality engineering plots and full-color applications.

 

Media Inquiries:

Mark Friedman

Director of Marketing

813-849-4339

mfriedman@dietzgen.com

WEST SPRINGFIELD, MA, USA, 7/26/2016 – CoverisTM Advanced Coatings Digital Imaging division, a global market leader in the development and fulfillment of high-performance digital imaging substrates, announced the introduction of Magic ADHERE6.0 window film and HILITE8.0 backlit film today.

ADHERE6.0 is a 6 mil ultra-removable, optically clear, polyester window film with a high gloss surface and is ideal for window advertisements and décor. This product is compatible with latex and UV cure printers. ADHERE6.0 is removable, repositionable and reusable with a silicone adhesive that wets out for easy application and removal and it does not leave residue on surfaces. It is a perfect alternative to vinyl (which is known for being environmentally harmful).

WEST SPRINGFIELD, MA, USA, 3/15/2016 – Coveris™ Advanced Coatings Digital Imaging division, a global market leader in the development and fulfillment of high-performance digital imaging substrates, announced the introduction of Magic RITETAC HI and LO dry erase film today.

RITETAC HI is a 7.5 mil dry erase film with permanent adhesive. RITETAC LO is a 7.5 mil dry erase film with removable and repositionable adhesive. Both products can be printed on with UV cure printers. RITETAC HI and LO are ideal for calendars, schedules, brainstorming, sport/game strategy boards, menus, to do lists, resurfacing chalkboards, walls, and tabletops in environments such as retail, hospitality, offices, hospitals, academia, etc. Both products feature a uniform, low gloss surface which reduces glare and improves legibility. This dry erase film does not kink easily and no ghosting is left behind after the dry erase marker is erased.